Tag Archives: fantasy

Goodreads – A must-have site for readers and authors

Goodreads is an amazing site for readers and authors.  It’s a great way to share your love for books and find groups that share you fondness for particular genres.  I have joined several groups centered around Fantasy and Young Adult books because that is what I primarily read and write.  It was while wandering around inside of the group, “Shut Up and Read” that I stumbled upon an excellent blog site catering to YA novels and authors:

Reading and Writing Urban Fantasy and Paranormal Romance

I spent a long time weaving my way around this site and I fell in love with it immediately.  Jennifer has a fantastic way of handling her reviews and they are brutal, but honest.   She’s not rude or nasty to the authors, but she does give her sincere opinion, in a gentle way, about what works and doesn’t work.   I like that in a reviewer.  I like to know what I’m getting into before I dive in.  I don’t, however, decide whether to read a book strictly based on a review, but it does give me a starting point, especially if I don’t know anything about the book.

Jennifer also promotes authors by conducting interviews and providing opportunities for blog hops, guest posts and massive giveaways.

In addition to the reviews and author help, she also provides writing tips and all the latest book news as it pertains to YA.

Needless to say, I’ve found a great blog friend in Jennifer L. Bielman, and I hope you all jump over to her siteand check it out.  While you’re at it, don’t forget to follow her on Twitter at @JenniferBielman and Facebook.

F is for Finding the right words or phrases

This is a continuation of the A-Z blog challenge.  Click here to see the list of all 1935 participants!

I was going to do a post on Fantasy today because I adore the genre so much. There’s nothing that excites my reading eye more than a great story of dragons, gnomes, knights and other worldly creatures. Lately I’ve taken to dystopians, and now I can’t get enough of them. While there are many fantasy writers out there that float my boat, my top three picks for adult reads are: Raymond Feist, Martha Wells and Storm Constantine. As for YA fantasy, Cassandra Clare, Julie Kagawa, Suzanne Collins and Veronica Roth top my list.

But I digress. I’m not here today to chit-chat about fantasy. I want to talk about brain farts and finding the right words or phrases necessary to finish that Number 1 best-seller you’re working on.

Now, I’ve been writing my entire life, ever since I could hold a crayon, and you’d think I’d have this writing thing down to an art. Ha! I wish. *shakes head*. Nope. I have to tell you, there are times my brain simply farts and the lights in my noggin shut off and all you can get out of me is “See Spot run.”

Yeah, yeah, all you writers go on and admit it. You’ve been there, too. It’s very nerve-wracking when your brain stutters.

My most recent brainiac backfire happened last night. My character became confused. Now we all know you can’t TELL your reader the character’s confused, that would be too easy. You have to SHOW that he’s confused. This involves giving your character facial expressions, body movements. He has to use…words.

All of a sudden my mind hit a brick wall – WHAM! It shut down. I sat there like a blithering idiot, tapping my fingers. I’m tired of the old standbys – “His brows drew together.”, or “His eyes narrowed.” I desperately thumbed through my trusty old thesaurus that is barely hanging onto its binding, but I found nothing there. All of a sudden, I snapped my fingers and said, Jenny, you’re an imbecile. Check out the Bookshelf Muse’s Emotional Thesaurus, dolt! You have it bookmarked!

Duh! I clicked on my little Bookshelf Muse short cut, looked up ‘confusion’ and lo and behold, my brain woke up. It got chugging. Smoke came out of the stack again as I looked at all those sweet, glorious little ‘emotional’ morsels waiting to fuel my creative genius. Soon I was off again, writing until my body wore out and I had to go to bed. Yes, sometimes sleep is inevitable, even for authors.

Today is Friday. It’s a new day, the sun is up and in a few minutes, I will go at it again, picking up where I left off, determined to finish my short story re-write before diving back into my novel. This time, though, there is a sticky note on my computer that says in big letters – Bookshelf Muse. I suggest you do the same to save yourself the headache of finding the right word or phrase. Odds are, what you’re looking for is right in front of you.

Have a fantastical, fabulous Friday.

Chain Story Blogger Contest Winner Announced!

Copyright (c) <a href='http://www.123rf.com'>123RF Stock Photos</a>As promised, today I announce the winner of the Chain Story Blogger Contest and Award!  I would like to thank all of you for participating and I really loved all the responses and seeing the story develop over the last week.

My 17-year old son, Kevin, read over all the entries several times and debated them, trying to decide which one he liked the best.  In the end, he had to pick only one, and that winner is…

 

Julie Catherine

Congratulations, Julie!  *throws confetti in the air*

I asked my teen which post of Julie’s was the deciding point and why.  He said the following was the one that he really liked the most:

“Green scales glimmered in the sunlight, flashing down the length of his sleek back and long, flickering tail. Darren’s emerald eyes rimmed with gold shone as he raised them towards the heavens and roared, belching crimson fire and tendrils of curled gold flame.”

Copyright (c) <a href='http://www.123rf.com'>123RF Stock Photos</a>

He loved the description of the dragon and the atmosphere she created in this scene.  Kevin went on to say that he enjoyed all of Julie’s entries the best for her choice of words and how she was able to get across the meaning intended in as few words as possible.  She evoked a sense of mystery in her writing and kept him wanting to turn the page.  He also thought she made the characters pop off the screen.

There you have it, straight from the mouth of a seventeen-year old avid reader.  I liked this exercise, even for me, because I got to hear an unbiased view from a teenager about what he looks for when he reads:  few words, tight scenes, mystery, description and characterization.

Julie Catherine, as the winner you get the Chain Story Blogger Award

and a free critique from moi of the first 10 pages of your manuscript.  Please send your ten pages, double-spaced to me at kford2007@gmail.com.  Please allow 2 weeks from the date I receive the pages to send back my comments (I do not foresee it taking this long but, just in case…) J.  Also, please stress in your e-mail exactly what sort of feedback are you looking for in addition to the line-by-line edit and critique.

Are fiction writers certifiably insane?

I mean, come on, think about it.  We have voices talking inside our heads.  Lots of voices.  They talk to us, they talk to each other.  They argue.  We talk out loud, verbalizing their words.  We act out the scenes the way we envision they should react to a string of events.  We plot out evil and then make these imaginary characters murder, rape, pillaging, lie.  Why, even some of our characters ride wedras, talk to trolls, train with wizards or fight dragons.  Some are werewolves, others elves or some unheard of species all together.  And some of these imaginative tales take place in cities we’ve never been or in make-believe worlds.  Sounds kind of nutty to me.

Most of the time, people like the ones described above, undergo extensive psychiatric help.  Thousands of years ago, they may have burned us at the stake for practicing sorcery.  And it wasn’t long ago they put people away in sanitariums for hearing and talking to voices inside their heads.   So why aren’t authors considered certifiably insane if they hear a voice in their head and answer back?

I’d like to think it’s because we have some connection with reality, but I can’t use that as a huge excuse because most of us writers spend more time in our imaginary world than in the real one, at least us full-time writers.  I don’t know about you, but nothing burns me more than typing a way at a great scene and the oven buzzer goes off, the dog knocks over a vase, the phone rings or a precious offspring whines for the umpteenth time that his sister stole his legos.    How dare reality take me away from that pivotal moment that’s changing my character’s life for good or bad!  Now, I’ve lost it, that moment where the plot was coming together.  My brain is now frozen.  I’m lost.  Now it’s time to go to the store or the park, yet the entire time my characters are duking it out in my head.  Scenes are unraveling.  The words are flowing…and I’ve left my digital recorder at home.  No matter what I do, the voices never go away.  They’re always there, plotting, devising, whispering.

Even as I sit here and write this post, one of my supporting characters is arguing with his father, loud and clear.  My brain has been in a deadlock as to how I was going to re-write this scene so it didn’t sound like a Star Wars knock off, and now it’s coming to me.  Unfortunately, this means I now have to part with reality and talking to you good folks so I can hang out with my imaginary counterparts and sort out their issues.  *smile*.

Yes, we authors are a little ‘touched’.  It’s all good, because without us crazy, insane writers, there would be no books to read, and what kind of world would that be?

I have a novel to publish, short stories to edit, and a new novel to write in 30 days. I’m swamped.

Remember this fantastic scene from the Princess Bride?

Swap the words for the title of this post and that’s me facing down NaNoWriMo which starts a week from today. Am I nuts?

Unlike Prince Humperdink, I am not a planner. I don’t outline, I don’t figure out my characters or what they’re doing. I just write. Now, I do have a plan in my head. I know where I want to start and how I want to end but that’s it. I guess you could say my writing style reflects my everyday look at life.

I don’t plan. In fact, I hate to plan because nothing ever goes right when I plan. The best vacations I’ve ever had were the ones where no plans were made except to say “We’re going on vacation to [fill in the blank]“. Once we got to wherever we were going, my family and I did whatever caught our interest. We’ve never had an itinerary to uphold.

One of our best vacations was the one we took two years ago to Key West over Labor Day weekend. It was literally a spur of the moment trip, completely unplanned. I told the boys we were going to the Keys the next day (you should have seen their faces! priceless!) and to go to bed early. I got online and made reservations for us and the pooches (they love traveling, too) at a fabulous Sheraton Hotel on Key West beach (at an AWESOME rate that I couldn’t even believe myself] and off we went. I even took 1 extra vacation day from work so we would have 4 fab days in the Florida Keys. I got to live out two of my dreams: to see Hemmingway’s house and stand at the southern most tip of the United States. Kewl!

Hopefully, NaNoWriMo will offer the same opportunity to fulfill one of my dreams: to write and finish the second installment in my 3-part saga. I have butterflies in my tummy, my nerves are starting to twitch, and my brain is gearing up to face the unknown. The trip is going to be a fantastic one and I’m going to learn a lot, especially about myself. Can I stay focused? Can I make and accomplish goals? I believe I can. What I am sure of as a writer, is if I can get through and succeed at NaNo, I can succeed at anything. Today – Little Town, Florida. Tomorrow, New York! Look out world! I’m coming for you!!!

(gotta love the ‘I am awesome’ message!)

New Author to look out for – Heather Burch

Guys, this series looks amazing!  If you or anyone you know is a fan of YA fantasy fiction, this series will fit right in.  I have got to get her on my blog when the book comes out.

Check out her website http://heatherburchbooks.com/index.php and read all about the Halflings.  I am stoked and ready to buy.

Death Scene: Does it work for you?

I need your opinion. I think I have perfected this as well as I can but I need your comments and opinions. I have had 2 beta readers tell me it is really good, one said it was way too short and my son wants me to just whack the guy and move on. (he has an issue with death. In fact, if I’d written it the way he wanted me to, this would be a comedy, not a tragedy!) :-)

Anyway, I will give you a brief set up. The dragon, Einar, has just attacked Gyllen Castle. The king, queen and the king’s protector, friend and most formidable knight, Sir Trogsdill, are missing. Eric is Sir Trogsdill’s squire and his best friend is Sestian, Sir Farnsworth’s squire. They are both held in high regard because of who they serve. All comments are welcome!

***

“Of all that is good in heaven, how could this happen?” Sir Gowran wiped the beads of sweat from his forehead. Sticky strands of russet hair clung to his rugged square face and the back of his neck. His clothes hung in shreds from his taut arms and legs. His voice teetered on the fine edge between lucidity and madness.

“Tash the heavens, Gowran,” Sir Crohn said. “God’s eyes were turned from Gyllen this night. Where were our sentries? Why didn’t they sound the call?” His black eyes bulged from behind the curtain of straggly black hair. “So help the wretched soul that fell asleep on watch for if I find him alive he will wish Einar had killed him first!”

“Settle down, Crohn,” Sir Farnsworth said. The eldest knight looked a disheveled mess; his blood soaked tunic adhered to his torso like a second skin. “Look around you. Our men lie amidst this rotten smell of death.” He worked the strands of his ashen hair into a frizzed plait; a leather boot lace secured the braid. “This slaughter is not their fault. Einar caught us with our trousers off. He knew what he was doing.” He adjusted the sword upon his back. “Eric, come here.”

Eric limped forward. “Yes, sir?”

“Do you have your wits about you, son?” Sir Farnsworth examined Eric’s injuries.

“Yes, sir.”

“Good.” He placed his hands on Eric’s shoulders. “I need you to gather a search party, as many men as you can find. We need to start searching the grounds.”

Eric lifted an eyebrow. “For what?”

“Gildore, Mysterie and Trog. They should have returned to Gyllen by now.”

Eric wiped his brow. “Sir, with all due respect, what you ask will be near impossible. Sir Trogsdill has no doubt taken them far from here. To try and locate them would be like trying to find a ghost in a fog.”

“Then I suggest you become proficient at ghost hunting.”

“But, Sir —”

Gowran grasped Eric’s shoulder. “Quit protesting boy and go! Daylight won’t last forever.”

Eric grumbled, found a horse and returned to the castle. The gatehouse was destroyed. The courtyard lay in ruins. Shards of colored glass and tiles jutted from the debris where Festival Hall once stood and muffled cries wafted up from the underground apartments buried beneath the rubble. Everywhere around him women and children wept. Animals lay dead. Men scurried about like army ants, clearing the wreckage from the grounds. Through the chaos and confusion came a muffled cry for help that sent a shiver straight through him.

“Eric! Help me.”

Eric looked over his shoulder, his eyes wide. “Sestian?” The cry came again, this time more desperate. A cold chill slithered up Eric’s spine. He dismounted and ran toward the sound, panic spreading. “Sestian! Sestian! Answer me! Where are you?” He spun around at the sound of his name once again. There, a few feet away, lay his best friend partially exposed beneath the debris. “No!” Eric yelled, diving to the ground. He clawed at the sharp stone fragments, throwing them aside. “Sestian! Can you hear me? Say something!” Sestian gurgled. His face twisted in agony. Eric worked harder. His fingers and knuckles were scraped and bleeding, but he didn’t care. He had to save his friend.

Sestian swallowed. “Eric. Help me.” Blood trickled from his mouth.

“Shh. It’s all right. I’m here. Lay still. I’m going to get you out of here.” Eric shoved more rocks out of the way.

“I-I can’t feel my leg.”

Eric wiped the sweat from his brow with his arm and shoved hard against the massive stone weighted on Sestian’s legs. When it finally moved, Eric gagged at the sight of his friend’s mangled body. One leg was crushed; the other was severed at the thigh. Blood gushed from the wound. Eric watched as the life poured out of his friend’s body. Why did I have to move the stone? I have to stop the bleeding. I can’t let him die! I have to do something! He cut a strip of cloth from his shirt and tied it around the stump and yelled, “Help me! Somebody, help me!” but no one heard over the moans and cries and clap of wagons. He was alone. No one was coming to help him.

He glanced back down at his friend. Sestian’s skin looked chalky and gray, his lips pale. “Come on, Ses,” Eric said, his hands soaked in blood from working another tourniquet. “Don’t you dare die! Who will best me in chess, huh? Who will I spar with?” Eric grasped Sestian’s hand and held it tight. Of all that is good in heaven, please don’t let him die. Eric looked around, frantic. Where is the surgeon? Why isn’t he here?

Sestian whispered, “I’m. . . sorry.”

The words caught Eric by surprise. He leaned over his friend. “Sorry? For what?”

Sestian closed his eyes. “For failing Farnsworth. For failing Hirth.” He sounded so weak, so frail. Not like Sestian.

Eric grasped his friend’s shoulders. “No. You listen to me. You failed no one. Do you hear me? No one!”

Sestian inhaled a sharp breath and moaned with pain. “Y-you’ve g-got to k-kill him for what he’s done. P-promise me.”

Eric nodded and blinked back the tears. “I promise. You and me together, just like we used to do when we were little. We used to play with that old burlap dragon Farnsworth and Trog made, remember? We’d rip it to shreds and Farnsworth and Trog would always put it back together again.” Sestian gurgled and gasped for breath. A tear fell down Eric’s cheek as he held his friend’s hand. “Hold on, Ses. Just a bit longer. The surgeon’s on his way. We’ll get you in a nice warm bed and I’ll bring you some barley soup. I’ll even fetch Olivia for you. Maybe she’ll take pity on you and you’ll get a kiss out of her this time.” Eric hung his head and pressed Sestian’s hand to his forehead. Please don’t let him die. Not here. Not like this.

Gentle hands grasped Eric’s shoulders. He looked up to see the surgeon looking down at him. “Are you all right, Eric?” the man asked. “Are you hurt?”

Eric shook his head. “No. It’s Sestian. You have to help Sestian.” He shuffled out of the way and watched as the man examined his friend. “He’s going to be all right, isn’t he? You can save him, right?”

The doctor pinched the bridge of his nose, sighed and placed a firm hand on Eric’s back. “I’m sorry, Eric. There’s nothing I can do. He’s dead.”

Eric shook his head and stood. “No. T-there has to be something you can do. You’re a surgeon!”

“I can’t, son,” the surgeon said. “He’s gone. I’m sorry.”

“No! No! You’re wrong! He’s not dead! We’re going to be knights and conquer the world together! He’s going to marry Olivia Armwood and we’re going to grow old and fat together.”

The surgeon grasped Eric’s shoulders. “Son, I know this is difficult, but you must listen to me. Sestian is gone. He’s dead.”

Tears streamed down Eric’s face. He looked over the surgeon’s shoulders and stared into Sestian’s glazed eyes, fixed and lifeless. His gut rippled and squeezed and then the sobs came in uncontrollable, unstoppable torrents.

The surgeon hugged Eric for a moment and then said, “I’ll give you a moment to say good-bye. I’m sorry.”

Eric knelt and stared into the eyes of his best friend, eyes that once held so much passion, laughter. Why? Why did you have to go, Ses? What am I going to do without you? Who’s going to spy on the knights and feed me the latest gossip? How am I to get through a day without seeing your stupid grin or hearing your laugh or watching you fix up an injured animal until he’s good as new? How am I going to tell Farnsworth you’re gone?

Two men arrived and Eric wiped his eyes and stood back in stunned silence as they loaded his friend onto a wagon stacked with other victims of Einar’s wrath — mothers, fathers, sisters, brothers, sons and daughters — and then carted them away. Eric’s gut squeezed with grief. Through his tears, he caught a glint of sunlight flicker off a silver chain around Sestian’s neck. A treasured gift from the father Sestian never knew. “Wait!” Eric said, running after the wagon. “Stop the horses, please.” He climbed onto the wagon, his knees quaking so hard he thought for sure he would crumple on top of the bodies now reeking with decay, and reached Sestian. With great care he slipped the necklace with the dragon pendant and ruby eyes over Sestian’s head and then backed off the cart, apologizing for stepping on the dead.

Eric grasped the pendent tight as the wagon rolled away from the castle grounds. All around him, women and children lugged buckets of water from the Cloverleaf River to the workers gathered around Willow Fountain. Other wagons carried the injured to the infirmary. He glanced over his shoulder at the cathedral and palace that somehow managed to survive Einar’s attack, and the door where he’d left Trog and his king and queen, still remained open. Reality slapped him hard. Farnsworth! Oh no. I have to get men. I have to find Trog and the King and Queen. He squared his shoulders and straightened his spine. He had a task to complete. A job to do. No longer was he a squire-in-training. This chaos was real and the most powerful knights of Hirth were depending on him. He looked down at the chain in his hand, kissed it, and then placed it around his neck. “Until we meet again, my friend.”

A slight breeze toyed with the strands of his hair as Eric washed his hands in Willow Fountain. He stared at his face in the water. So much had changed in his life in such a short period of time. More changes were sure to come, but for now, he needed to focus on one thing and one thing alone. He drew in a deep breath, shook off what sorrow remained and set about the impossible task of ghost hunting.

The Latest on Word Count for Fiction

I have had several writers, authors, aspiring authors, etc. ask me what the industry word count is for fiction these days. My response has always been: it depends on the genre and the publishing world at the time; however, I must say, the industry standards have been pretty stable for the last few years. But, just to make sure, I checked in with several agents’ sites to see what they had to say and have come up with the following guidelines. Keep in mind that these are only suggested word counts; rules get broken all the time but usually by published authors, not newbies, and books that are e-published usually don’t have to conform as much to the rules. With that said, here is what I found:

An average novel length is between 80k and 100k, again, depending upon the genre but this can be broken down even further.

middle grade fiction = Anywhere from 25k to 40k, with the average at 35k

YA fiction = For mainstream YA, anywhere from about 45k to 80k; paranormal YA or YA fantasy can occasionally run as high as 120k but editors would prefer to see them stay below 100k.

paranormal romance = 85k to 100k

romance = 85k to 100k

category romance= 55k to 75k

cozy mysteries = 65k to 90k

horror = 80k to 100k

western = 80k to 100k (Keep in mind that almost no editors are buying Westerns these days.)

mysteries, thrillers and crime fiction = A newer category of light paranormal mysteries and hobby mysteries clock in at about 75k to 90k. Historical mysteries and noir can be a bit shorter, at 80k to 100k. Most other mystery/thriller/crime fiction falls right around the 90k to 100k mark.

mainstream/commercial fiction/thrillers = chick lit runs anywhere from 80k word to 100k words; literary fiction can run as high as 120k but lately there’s been a trend toward more spare and elegant literary novels as short as 65k.

science fiction & fantasy = 100k words is the ideal manuscript size for good space opera or fantasy. For a truly spectacular epic fantasy, some editors will consider manuscripts over 120k but it would have to be something extraordinary. And regardless of the size, an editor will expect the author to be able to pare it down even further before publication.

Agents and editors cannot stress enough that there are always exceptions to every rule, especially in SciFi and Fantasy. However, debut novelists who are trying to catch the eye of an agent or editor for the first time should probably err on the side of caution with your word count.

Just finished writing death scene…

and let me tell you, it was one of the hardest scenes I’ve ever written. However, thanks to three re-writes and coaching from my super duper beta reader, I have written a scene that grips me and my reader to the point of tears, which is what I was going for.

So what held me up on this scene? Basically, I forgot to be the storyteller. I failed to get inside my characters’ heads. The basics were there, the movements were there but it lacked depth, persuasion. It lacked emotion. I mean, it was so close, but you know how sometimes you’re thinking of something and it’s right there on the tip of your tongue but you just can’t blurt it out? That’s how this scene was with me. It was right there. Right on the brink, but I kept missing the mark.

Until I listened to my beta reader, made myself uncomfortable and visited the spot where grief lives. I had to reach down deep inside of me and relive what I felt when people I loved died. What did I feel? What did I say to myself? What sort of bargains did I make? And then I had to transpose them onto a seventeen year old boy without sounding cheesy or overdone.

I can’t believe how many hours this scene took to perfect. Again, a big tip of the hat to my beta reader and her harsh, strong comments that forced me to dig up painful memories so I could make this scene shine.

I wonder if anyone else has written a death scene and if they had as much trouble to get it right? If so, what did you pull from for inspiration?

As a side note: there are three novels that come to mind with great, gut-wrenching death scenes that just turned me into a bawling baby: The Order of the Phoenix when Sirius Black dies, The Hunger Games when Rue dies and an old classic, The Miracle of the Bells when Olga Treskovna dies.

What are some of your favorite death scenes in fiction and what emotion(s) did they stir in you?

Confused by who and whom?

Try remembering this little rule:

he = who

him = whom

If you aren’t sure which to use, insert he/him in the sentence.  For example:

“Who/Whom should I call?”

Would the answer be:

“I will call he.”  or  “I will call him?”  It would be the latter so the correct question would be “Whom do I call?”

“Who/Whom called you last night?”

Would the answer be: 

“He called you last night.” or “Him called you last night?”  Of course it is the first one, so the correct sentence would be “Who called you last night?”

I find this works every time.  I hope it helps you, too.