Today I thought I would try to answer a common question that keeps coming up on writer’s’ blogs and writer’s groups I attend. I’ve done tons of research into this topic and hopefully I can shed some light on this subject.
First, contrary to popular belief, there is no one single correct format, nor one single correct typeface to use when formatting your manuscript. However, after reading many, many submission pages on many, many agent/publisher websites, the following are pretty much industry standards for manuscripts, both fiction and non-fiction. As always, familiarize yourself with your targeted agents and publishers, and read their submission guidelines. If they want their manuscripts submitted in bold, purple 15 pt Alien Galaxy, I suggest you find where you can get the font.
You can choose to format your novel before or after you have written it. I like to format ahead of time, that way I don’t have to worry about it later. It’s just easier for me.
Standard page format:
Margins - 1.5 inch on all four sides.
Font - Times New Roman, however, you can use Courier, Courier New, or any other clean mono-space serif font in 12 pt.
Line spacing - Double-space
Paragraph indent - first line, .5 pt.
Header - right justified, contains the following information:
Last name/ TITLE/ page#.
It is also acceptable to type your last name/title on the left side of the header and the page number on the right, whichever feels more comfortable for you.
Note: A header does not belong on the cover page. Start headers on page one of the actual manuscript. There are many sites online that can teach you how to do this if you don’t know how.
Title Page:
Contact information — Name and address, phone number, and e-mail address in the top left corner of the page, single spaced, left-justified.
A little note here: make sure your e-mail is a professional one. Remember, writing is a job. Submitting your manuscript is no different than sending out a resume. Refrain from using cute little names like cutiepatootie@_____.com. This will give the impression you are not serious about your craft, and if you aren’t serious, the agent or publisher will not take you seriously. Believe it or not, many agents and publishers have complained about writer’s making this mistake.
Title — centered, just above the middle of the page
by — centered and one double-spaced line beneath the title
Name and pen name — centered and one double-spaced line beneath the word by. My experience has shown it is best to place your true name on one line and if you write under a pen name, place it in parenthesis beneath your name. The agent/publisher wants to know the real you and if you are signed on, they’ll need to know your name to write out the checks. :)
Genre and word count — centered and rounded to the nearest thousand, one double-spaced line beneath your name or pen name. Note: It is also acceptable to place this information just below your name and address at the top of the page.
If you are agented, format the cover page as above and include the following, left-justified, single-spaced on the bottom of the page: agent’s name, business name, mailing address, phone number, e-mail address of agent (get permission from agent),
First page: Note before we continue (for Word users only): Make sure you are using “Normal Style”.
Header — should be in the upper right-hand corner of the page, and page number should be 1.
Chapter header — can be anywhere from one to six double-spaced lines down from the top of the page, and can be centered or left justified. You can title your chapters, or just write Chapter One or Chapter 1.
Body text — drop down two double-spaced lines to begin your story.
Scene breaks — drop down two double-spaced lines, insert and center the * character, drop down two more double-spaced lines, and begin your new scene. Note: Other formatting sites will say to use the # mark to separate scenes, however, my Kindle pros have warned me that Kindle doesn’t recognize the #, but it does recognize *. To save yourself from headaches later, you may want to use the * mark to begin with.
Subsequent chapters — start each chapter on a fresh page. Keep chapter formatting and titling consistent with your first chapter.
Bolding, underlining, italics, highlighting: Do not bold or underline anything in your manuscript. Industry standard does accept italics for internal character thoughts. Also, make sure there is no highlighting in your manuscript. I sometimes will highlight sections because I want to revisit them for various editing reason before I send off the manuscript. If you use this method, you want to make sure you take the highlighting off.
Tomorrow, I’ll discuss page breaks and formatting paragraphs.
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When listening to other opinions is bad for your health
I recently submitted my re-written manuscript to two brand new and one return beta readers to get a fresh perspective on my novel and to find out if I’d fixed the issues a publisher pointed out to me in their amazing, red-lined critique. One beta came back with overwhelming praise and a few minor niggles to correct. The return beta came back with a somewhat harsher review but overall, I understood his points and I am considering them before I send the novel out to my last 2 betas. The reviews from the third beta, however, broke my heart and reduced me to tears. I didn’t eat well for two days, I snapped at my kids and my hubby, and quite frankly, felt horrible – like sick-to-my-stomach horrible. Not good.
What ground me to a halt and put me in such a state? The following are just a few of the comments I received.
“I have never read such driveling nonsense.” ”The only fantastical thing I found in this book was that I actually finished it. There were too many times I almost didn’t.” ”I felt cheated. Why haven’t you thrown David and Charlotte together? Are teens these days really so goody-goody? I think not. You are obviously detached from today’s conundrums. Get with the teen scene. Charlotte’s comment to David to not look at her boobs is ridiculous. Girls these days are all about showing off their boobs and getting as many guys to look at them as possible. I felt like I was reading a D-rated fantasy novel from the 1950s.” “I would not submit this to my English Lit teacher. No offense but I think you should try your talents at something else because Tolstoy you are not.”
And the negativity kept coming.
I knew when I first read the comments (that also offered no hints as to how to make the novel better), I should put it down and let it go. It wasn’t beneficial. It offered no constructive criticism. Yet it was this review that stuck with me the most.
Why? Why as artists, as human beings, do we allow the bad to outweigh the good, at least at first? What is it about our psyche that makes us almost want to believe the bad? Do we truly believe deep down we are terrible writers (insert hobby/job) and this stranger sees through the facade? Why do we focus on those things that hurt us instead of those things that lift our spirits?
I wish I knew the answer. All I know is I spent a lot of time over the past few days trying to figure out what was so horrible about my novel instead of what was so great about it. After hours of shedding tears, and barking at my husband and my kids, I realized I was letting a stranger dictate my emotions. A stranger. Someone I will probably never meet. Someone who hasn’t been with me on my journey. Someone who may have had a bad day when he wrote his comments. Heck, maybe he is just a negative person all the time. How dare I let this stranger guide my emotions? He’s not my husband, my children, my closest friends. Why should I care what he thinks?
It’s ingrained, I guess. I do care what others think, which is my problem. I want to please everyone all the time and I forget to please me first. I supposed that’s what comes with being a wife and mother for 27 years. But it’s time for all that to change. It’s time for me to be proud of me, of all I’ve accomplished, and to believe in myself and my writing. My novel is not a D-rated novel from the ’50s. It’s here, it’s now and I know there are good kids out there who are not focused on sex and drugs that will love my novel.
I therefore make a vow that from this point on, to take all comments with a grain of salt. I will listen to all opinions, consider all critiques, however, I will first and foremost listen to my heart and the wonderful Spirit that gave me my voice and ability to write. I have to please me and my family first. And in the end, that’s all that matters.
What about you? Do you let critiques of your writing (or hobby/work) affect your moods and your health?
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Tagged how writing affects your health, hurtful comments, painful critiques